This is a wonderful revisionary view of a bunch of authors who put me to sleep in high school. Peyser pulls the pants down on the "old grey ladies" of American literature. Someone had to do it (I guess) and I'm glad it was him and not me, but I'm also glad to have this rather strange and wondrous book.

Up until now, Peyser has been known mostly for his uproarious commentaries on NPR, and for his notorious flipping off of Cokie Roberts on the old David Brinkley show. (He has never been invited back.) I have to admit that when I first saw this book I just assumed it was another of his spoofs, but it turns out that Peyser is a bona fide literary critic. There is some very funny stuff about the vastly overrated Charlotte Perkins Gilman--Peyser cuts the old trog down to size--but mostly this is very smart and very down-to-earth cultural criticism. We have to be grateful for this book, but I for one cannot help but feel a little sad, too, since it would seem that with its publication P. has shed his youthful guise of hilarity, and that he has now stepped into full manhood, revealing what most of us have always suspected underlay the shimmering surface of his speech: knowledge of what Matt Arnold named "the eternal note of sadness."

You know, this is not the sort of book I would normally read. But there it was, suddenly, on the coffee table one night. How it got there I have no idea. Just curious, I began to leaf through the pages, and the words began to resonate with me. Unable to sleep, I read it through in one sitting by candlelight. The next morning, I began to look at things around me differently. First, I removed several unessential appliances from the house in an effort to simplify my existence. Then it became time to de-clutter and I threw out several items I realized I had no more use for. Then, and this all seemed so logical in light of the things I'd read, I divorced the wife and sent her on her why. Sure, she cried a bit, but I knew I was doing the right thing. And I've never regretted it. This is, indeed, one of the best books I've read all year.

I have read this book and I found that I didn't really know where I was in my walk with Christ. This book will lead you to where you are and then help you to go further each day. You will not want to put it down.

This book is really cool. My college group is using it for small group study. It is easy to read, but great fun as well. I have learned so much. It is COOL.

I am from Cypress Creek High School and I have been using this book with my home Bible Study group. We really like the way it is written and we love the graphics and the layout. Try it and you will really enjoy working in it.

A tremendous piece of literature I was lucky enough to read at age 8. I'm still re-reading it today as an adult and continue to find it imaginitive, without being syrupy or preachy. Our protagonist, the minstral-turned-Prince, must save the Princess Saralinda before the coniving Duke forces her to marry him. The Duke sets out an impossible task for the Prince, hoping that he will perish before he weds Saralinda on her 21st Birthday.

What is so amazing about this story is that each character has so much more dimension than the average fairy tale character. At times the Duke is almost likable and the Prince can be frustratingly unheroic. Even Saralinda escapes from the cotton candy persona of most heroines. Sure, she's beautiful, but she has an assumed cleverness that is presented as normal rather than over-emphasized in a Disney-like way.

I would highly recommend this book to children and adults alike. A note to eight-year-olds: Look up the hard words. It's worth the time. Trust me

...the writing is so lyrical, the characters so funny, and characteristic of thurber, frought with human flaws while still being heroes, and each adventure solved, in the end, by wit and ingenuity. the prose is beautifully tight. it is written, like E.B. White, for the inner ear -- sonorous, and full of Thurber mischief. "I am the Golux, the one and only Golux -- and not a mere device." My eight-year old loves the rhythm. My 11 year old loves the humor, and I love thurber's wink to me about literary devices...for us, this book is always at hand for the sheer joy of reading it aloud.

I thought that this book was a great book and I would recommend it to anyone who wants to read great fairy tale. A tale with Princes, Princess and an evil Duke. I couldn't put the book down. It was short and sweet. There is a simple plot and characters that are easy to relate to. There were many descriptive sentences that painted detailed pictures in your head. I also enjoyed the pictures in the book and found them very amusing. This book as some surprising twists in it that you would never guess. Again I would highly recommend this book for anyone of all ages that just want to read something that is good and it doesn't take him or her days to read. It is just an awesome book to read. I hope you enjoy it.

I was introduced to this book by a friend of mine whose sense of humor is almost as twisted as that of Gorey himself. He delighted in sharing with me "The Gashlycrumb Tinies" (in which small children meet their doom in alphabetical order) and "The Curious Sofa: a pornographic tale" (in which Gorey lays sexual innuendo so thick that it becomes absurd and absolutely hilarious). After wresting the book from the aforementioned friend's hands, I read the rest of it. To my delight I found morbid limericks and quatrains, stories apparently composed of random sentences, and tales of tales of mishap and tragedy--each accompanied by illustrations in Gorey's macabre style. I would recommend this collection to anyone who has outgrown Dr. Seuss but still wants to look at the pictures.

An incautions young lady named Venn
Was seen with the wrong sort of men
She vanished one day
But the following May
Her legs were retreived from a Fen

When I first picked up this book, I had no idea what to expect. I was even more bewildered when I opened it up and looked at the drawings. I thought to myself, what in the world is this? Then I started reading.

Edward Gorey's work is at times subtle or broad, ironic or slaptstick, and always brilliant. How dare this man call himself a children's book author! His books are for everyone, not just tots. Startlingly funny and morbid, the books in this volume (and his other collections) will make the reader laugh and snicker until they are sick. The dark humor of "the Gashlycrumb Tinies", the burlesque of "the Curious Sofa", the absurdity of "the Doubtful Guest", the dry wit of "the Unstrung Harp", every story is different. Every story is a gem. Gorey's books are a must-have for absolutely everybody.

This book is GORGEOUS. I first discovered it while hanging about at a Christmas party at the house of a pair of my uncle's co-workers. I didn't know any of the guests, so I looked around the house and discovered the host's collection of antique books, Amphigorey among them. When the lord of the household found me sitting in his rocking chair and reading, he graciously invited me to borrow the volume, which I did. How grateful I am!

Edward Gorey is the Renee Magritte of literature. I have always loved bizarre, vague, puzzling works, and Amphigorey is delightfully, bitterly twisted. The characters are so spectral. On each page I see... not nightmares, but dark dreams surfacing. This wild, enchanting book ranks alongside William J. Meyer's comic book saga, White Bread, as one of my favorite "what the hell is going on" works of literature.

Within the borrowed volume I read, I discovered an artifact that may be of immense value. It was a printed invitation decorated by a copy of Edward Gorey's drawing of the Gashlycrumb Tinies and their Grim Reaper nanny. In Gorey's handwriting, the invitation gave the names of two gentlemen and continued "...and the Gashlycrumb Tinies demand your presence at their home at 8:00 pm on ALL HALLOWS EVEN [that's not a typo], 1975." The invitation announced a costume contest and gave an address and phone number. Ah, to have attended Mr. Gorey's celebration! He is surely the master of Halloween.

Inspired by The Greek Anthology, a collection of brief poems from the Hellenistic World including epitaphs written from the perspective of the deceased, Edgar Lee Masters wrote a series of monologues spoken by dead townspeople (some more fictional than others) who inhabited Spoon River, the area in Illinois where Abe Lincoln once lived. Real people include Anne Rutledge (Abe's first girlfriend) and Fiddler Jones, who worked in Lincoln's general store as a boy.

But this book isn't about Abraham Lincoln. It's about the trait that we will all, both saints and sinners, one day have in common: death. And it is about the small triumphs of life that the dead remember. Just as William Carlos Williams was a doctor, and his poetry was informed by his contact with everyday people, so too Masters. He was a lawyer and a keen observationist. He writes directly and frankly, especially about male-female relations, which earned this book a bit of a scandalous reputation in its time. Of course, it is mild enough today that the book is assigned reading in junior highs, even in the South.

I've read this book three times through, and often re-read individual favorites. And I have it in easy reach on my shelf because I plan to keep re-reading it. There is something about the people of Spoon River and their sentiments that keeps me coming back. As May Swenson says, in her introduction to this edition, Masters "bequeathed to us a world in microcosm." A world, in my opinion, worth exploring again and again.

There is no Spoon River, IL. Check your map. Several towns argue that they stake their claim in being what Masters asserted to be this mythical town. Petersburg and Lewistown, two towns of otherwise minor repute seem closest... but it is so much better we haven't an actual town... Spoon River's residents are our next door neighbors, whether we live in Central Illinois or Central Florida, or southern Alaska.

Masters has written not fables, but the essence of American life. He hasn't captured the life and times of 1915, but has instead recorded in 1915 the life and times of our present day America.

The same reason the paintings of Norman Rockwell makes sense is why Edgar Lee Masters poetry makes sense. To read the quick messages on the gravestone of one man, learning a little bit him, and something about a neighbor or two, we can learn a little about how we live in communities today.

Our lives, like Jimmy Stewart's character in "It's a Wonderful Life" found out, interact and impact everyone we meet. Who we love, who we should love and who we reject. And when we die, others feel the loss. Masters has aptly put this in a humorous, yet insightful way into short verses.

The poems don't rhyme. The meter is not solid, and the poetics aren't intricate. They aren't poems like Poe's or Dickinson, not in the way they wrote American poems. Don't expect iambic pentameter-based sonnets or villanelles. Expect a conversation, and listen in.

The poetry here is in the subtle use of social nuance. In the nuances are his insight and wit. Two readings will bring to light what you miss in the first.

Buy this book, read it slow. It reads faster than most poetry book, but don't get caught in the temptation to zoom through each poem just because you can.

After you read it, see the play if it happens to be performed in your town.

I fully recommend it.

Anthony Trendl

I was turned on to this book after hearing the latest Richard Buckner release "The Hill", in which the musician uses the Spoon River Anthology as the basis for his conceptual music. After listening to this wonderful disc, I was compelled to read the actual work by Edgar Lee Masters. What I found was a book that was written in 1915, but that brings to life the voices of humanity louder than anything I've read in recent years. This book is more poetry than literature, but the stories of the residents of Spoon River that are collected within the pages are stories that are not soon forgotten.

This book has moved me more than anything else I've read in recent years, and I highly recommend that othes read this outstanding work of art.

Let me add my econium for this wonderful book, which received the Pulitzer Prize for non-fiction, and is likely the best introduction into the emergent field of sociobiology (of which E. O. Wilson is progenitor).

The book is deftly, wittily, and elegantly written with great confidence and assuredness. The first half of the book introduces the reader to the promising field of evolutionary psychology, which, for the first time, promises to ground psychology on science rather than ideology. The book rings the death knell to Freud, Jung, pop-psychology, and other pie-in-the-sky notions that have mascaraded as a "human science."

The second half of the book addresses four of the most focal concerns of human nature: Aggression, sex, altruism, and religion, on the basis of sociobiology theory. The emergence of this endeavor begins with genes, evolution, and human enculturation, not with theories about infantilism, phallocentrism, and neuroticism. The topics are sufficiently covered in enough detail to keep the reader's interest and sustain the arguments, but with the intent of being introductory and accessible rather than sallying into the esoteric and academic.

The consequence is a wholly different orientation toward what is meant by "human nature." The concept is no longer the stuff of speculative metaphysics by armchair philosophers and psychologists, but a true science evolving out of the science of evolutionary theory and genetics. The implications are not quasi-scientific, but truly scientific. Humans do indeed have a "nature," and it is based on nature, not in the imaginations of wishful thinkers.

No one, not already exposed to sociobiology, will finish reading this book unaffected for the better. Wilson, the author of "Sociobiology," "Consilience," "The Future of Life," and other enjoyable works, will find a plethora of other authors and books flooding the market with scientific insights into man's true "human nature," including "The Adaptive Mind," "The Moral Animal," "Non-Zero," and "Unto Others."

I read this book a number of years ago and loved Wilson's overview of human nature through his observations of human behaviour across cultures. I am amazed at how the previous reviewer politicized Wilson when he is anything but political. Wilson does not exclude the influences of societal attitude and the changes in human behaviour from small to large groups. His review of treatment of women in different societies -- from equal partner in small groups to chattel as the struggles for power emerge in larger groups is an example of Wilson's wonderful eye for human behaviour. Although Wilson is the father of sociobiology, he does not exclude such patterns of human nature that can be attributable to societal interactions, not unlike Jane Goodal's observations of chimpanze behaviour as situational. While it is clearly obvious that our essential makeup is genetic, it is equally clear that as learning beings, our behaviour also has a nurture element, and Wilson is clear about this.

One must read Wilson with an open mind,not cluttered by political preconceptions as the previous reviewer. Wilson makes a point of not politicizing science, and to find a political context to "On Human Nature" one must create it as Wilson certainly does not.

This hard hitting, thought provoking book should be read by everyone.
The author sides with S.J. Gould that evolution has no goal (no anthropic cosmological principle). Species evolve by natural selection. The brain exists because it promotes survival and multiplication of the genes. He goes even further: the capacities to select particular esthetic judgments and religious beliefs must have arisen by natural selection. He argues that human beings are innately aggressive and fight wars to gain long-term reproductive success.
He hits hard at the interpretation of sexuality by Judaism and Christianity: the sex rules are biological and written by natural selection. In that way, he defends homosexuality.
Facing human nature as it is and evolves, how can we make life better: by the true Promethean spirit of science to liberate man by giving him knowledge and some measure of dominion over himself and his environment.
It will be difficult to refute the strong arguments of the author. He forces us to face the real realities of life and nature. The only solution is knowledge in order that mankind can take the necessary measures to save this planet.
By the way, he sneers at T. Roszak, who didn't find it necessary to replace God by reason; for him it is pure obscurantism.
A great read.

Both the Church and the Academy have desparatly needed an introduction to the New Testament which was both balanced in its approach and thoroughly academic. Thus, academics and laypersons alike will benefit from this outstanding contribution by the late Fr. Brown.

Fr. Brown approaches the New Testament from a balanced perspective, acknowledging the various scholarly opinions and controversies inherent in biblical criticism, while at the same time retaining a great love for the text as the Word of God.

I particularly appreciated the fact that if Fr. Brown was unsure about his position on an issue, for instance, regarding the authorship or dating of a book, he was willing to say so! What a refreshing lack of academic hubris!

This book is suitable for use as an upper division undergraduate theology text, as a graduate level introduction, or as a seminary text.

During his career, Brown (emeritus, biblical studies, Union Theological Seminary, New York) has enlightened and challenged scholars. Here he brings his extensive knowledge to bear in a volume primarily for beginners, though it will serve equally well those who are not. Because of the intended audience, he has made certain choices about content and form. First, he focuses on the established 27-book New Testament canon based upon the "wide agreement about the twenty-seven works to be included in a normative or canonical collection." Second, he deemphasizes the prehistory of the documents (sources, editions, and so forth) and emphasizes the documents in their canonical form. He begins most chapters with a "General Analysis of the Message" and addresses issues such as authorship, date, and composition afterward. So, for example, readers are helped to understand the individual messages of Matthew, Mark, and Luke without getting bogged down in the "synoptic problem." Due to his emphasis on the finished form of the New Testament documents, even those who disagree with some of the author's critical judgments will benefit from this volume. Highly recommended for public and academic libraries.'

The late Raymond E. Brown was a tremendous scholar and a devout Christian. In all he did, Father Brown carefully applied the tools of critical scholarship while never apologizing for his faith. In a scholastic battlefield too often dominated by extremists on the left and the right, Father Brown was a breath of fresh air who drew fire from both sides.

This Introduction first provides helpful background information about the formation of the New Testament and the social and political world that produced it. Father Brown then carefully analyzes each book of the New Testament with consideration for issues such as who the author was, where the book was written, and who the author's initial audience was. More importantly, each book is then carefully analyzed in light of this information for the meaning it conveyed in the social and historical context in which it was written.

As another reviewer has said, you can't read this book beneficially without also reading the New Testament. But for searching, inquisitive readers who are willng to put in that effort, this book provides a truly informative, intellectually honest introduction to the greatest story ever told.

Mr. Schmelzkopf offers up wit, humor, and optimism to an otherwise serious and debilitating condition that is brain damage. His anecdotes throughout the book are down to earth and proves that it is indeed possible for a person who has had brain surgery to get through the difficult days of therapy and once again lead a normal life. This book is a must read for all patients recovering from brain surgery and their families.

Brain Damaged is a facinating read of one man's winning struggle to come back from a dibilitating injury. After a unique and successful early life of adventure and business, the author learns the real value of life, wife and friends while in recovery from major brain surgery. His setbacks and achievemnts are many during rehabilitation, culminating in his new career as an author. This book chronicles the road into and beyond brain damage. Well worth while reading.

Dick Schmeltzof's very personal book, Brain Damage, is both heartwarming and informative. He treats a very serious subject with humor, wit and compassion. It is difficult to imagine the drastic changes that have occurred in Dick's life since the emergency surgery to remove a tumor on his pituitary gland. But through his carefully constructed narrative, we can "feel" his frustrations and also revel in the incremental -- yet moving forward -- progress that he makes. His is a story of great courage, hope and love; a lesson for Humanity. Thanks to Dick for sharing this moving and insightful story of life after brain surgery. Readers will laugh. They will weep. And finally, they will applaud this incredible human being. Dick demonstrates a real gift for storytelling through this book. Let's hope he delights us with "Brain Damage II".

Edward O'Donnell does a wonderful job telling a complex story through tracing the actions of certain passengers aboard the General Slocum. This 1904 fire was the largest loss of life in New York City history prior to 9/11, though the story has been forgotten until now. For me, the book is a classic "can't wait to see what happens, but don't really want to see the tragic endings for so many" read.

O'Donnell also brings to light, and to life the turn-of-the-century immigrant neighborhood Little Germany that even New York City history buffs tend to be unaware of.

Beyond the history, SHIP ABLAZE was more deeply moving than I had expected: not only the varied and terrible deaths of mostly women and children, but the many acts of bravery, the search for survivors, the funerals, the community's dignity and the strength of family bonds.

The only missing element for me (beyond the footnotes which will be available online) was more information about how the Slocum families lived after the tragedy, and I hope that the author plans a sequel, perhaps about the influence of German immigrants in the NYC.

Congratulations to O'Donnell for a well-researched, well-told and moving story, and for adding to the body of great NYC history books.

Readers will never forget the Slocum.

Dr. O'Donnell ahs a knack for writing and conveying both the
history and the story of this tragedy. The lives and impressions
of the people who suffered this tragedy are brought alive in his
writing. The facts and events are clearly interwoven which makes the story of the General Slocum three dimensional.
"Ship Ablaze" also details the New York City German community of KleinDetuschland. The reader is given a very clear picture of this close knit community, and what happened to it after the disaster. This book is a valuable resource for descendants of those who boarded the General Slocum, those interested in New York City's (or urban)or maritime history.
The scholarship and clarity of the events are told very well. So much so, that I added "Ship Ablaze!" to my American History class's reading list.

Daniel Padovano, Adjunct Professor of History, Pace University.

Edward T. O'Donnell's "Ship Ablaze" is head-and-shoulders above the glut of historical disaster books lining the shelves these days. O'Donnell's well written narrative history has all of the elements that make a book like this compelling: it details a tragic and nearly forgotten event, it paints the event on the proper historical backdrop and also tells the stories of the victims in a sympathetic and unsensationalistic way.

Though it is not well remembered, the fire and sinking of the steamboat General Slocum near New York City was the city's deadliest disaster prior to September 11, 2001. Over 1000 people, mostly women and children, perished in a few horrifying minutes. What is more disturbing about the story is that the disaster was completely preventable. Had the General Slocum's fire safety equipment been properly inspected and maintained and had the crew been trainbed in fire safety, it is unlikely that there would have been any loss of life.

All of this O'Donnell describes in vivid detail. He also describes life in turn-of-the-century New York, particularly the so-called Little Germany section where the victims were from. The latter part of the book is dedicated to the legal battles that resulted in the imprisonment of the General Slocum's captain, but not the federal inspectors or boat owners who were equally responsible for the tragedy.

Overall, an outstanding work of narrative history that will appeal to history buffs as well as general readers.

Written in 1985, this classic text from an American icon contains timeless principles of quality that still apply in many ways to today's eBusiness world. Deming is insightful and even humorous in his description of what he considered the diseases plaguing this country's quality issues at that time (constant comparisons with the Japanese, who, of course, in his mind were doing it right). He teaches that most quality issues are systemic (process related) and, therefore, the responsibility of management. His message is summarized in his 14 points and the usage of six-sigma control charts. These concepts are expanded in the text The Deming Route to Quality and Productivity - Roadmaps and Roadblocks by W. W. Scherkenbach

What impresses me most is that Deming's principles have not been forgotten over the last few decades - they have been assimilated into the language and beliefs of today's quality and success leaders.

With that said, the book is dated - both in language and, of course, in technology. Deming smothers you in examples of production line issues and basic management mistakes.

While it may no longer be a must read, Out of the Crisis remains a treasured part of our technical history.

With my current research interest circling 'Total Quality Management (TQM)', this book came to my attention. Upon reading it, followed by six seminal sessions and a three-day conference with the British Deming Association (BDA) in the UK, I felt totally disgusted with the way the society, in particular people who call themselves 'Quality Consultants' preach the gospel of the term 'Quality'. This book and BDA exposed to my then propagated mind, the true meaning of 'Quality'. Many organisations and academic institutions tend to pervertise and manipulate the term for marketing and other strategic purposes which is despicable... as most societies around the world will inevitably embrace the stigma-ridden myth to the term.

Deming highlights the essential roots to performance in his now famous 14 pts. for management. He attested that management is the key that allows quality improvement to occur within organisations and stated that the function of management is not supervision but leadership; which must work on sources of improvement, the intent on quality of product and service and on the translation of that intent into design and actual product.

When Deming went over to Japan after the Second World War to assist in the restoration of the Japanese economy, he conducted an empirical prognosis on the general economic situation using an SPC method which he had perfected while leading the American census. Deming then met up with 80% of the country's leaders and told them that the only way to revive their economy was to enhance their competitiveness in the international market by focusing on quality productions via stringent manufacturing standards. Most Japanese leaders scorned at Deming's idea and demanded for him to feel the reality of their situations then. However, the leaders heeded Deming's advice in the end, as they felt that "... having lost all, they have got nothing else to lose."

Forty years later, Japan became an international economic giant with an economy twice the size of all other East-Asian economies combined, including China. Her current GDP value is the second highest in the world after the USA's, despite a much smaller national population. Japan's financial prowess remains stable despite the current economic slump in Asia, as President Clinton said in Shanghai (1998),

"We (America) cannot see growth restored in Asia until it is restored in Japan."

This book is a superb guide not only to prodigal management principles, but also Deming's personal philosophies regarding life and effective leadership. Although considered an essential read personally, I would recommend to those who are new to Deming's ideas to check out "The New Economics", Deming's last book prior to his death in 1993, as an actual managerial guide, as it will be easier and more effective for them to realise.

When I first saw this book a few years ago at a friend's house I never imagined that I would enjoy reading it. However, somehow my opinion changed recently while I was looking for a good book about manufacturing quality control. This book agrees with all that I believed to be true based on my limited manufacturing experience--the plant worker is very rarely to blame for quality problems, rather problems are usually the result of system issues.

I thoroughly enjoyed reading this book and couldn't put it down. It is a great overview of quality control methods and control charts. I also have Mary Walton's "The Deming Management Method", but I would strongly recommend to just read Deming's masterpiece.